Levingstone

          Another band that falls into what seems to be a growing neo-soul/jazz fusion movement in Australia, Levingstone brings together diverse aspects of music to form a coherent style that resonates well.  Coming from Sydney, the group attributes its style to the diverse musical tastes of its members, Sammii Su (Vocals), Jesse Johnston (Guitar), Dominic Cabusi (Bass), Chris Dutton (Keys), and Ryan Mooney (Drums).  Their long-awaited debut EP Modern Burials serves as a testament to their musical ability, creativity, and introspective nature as the collection of songs circle around the modern phenomenon of societal isolation.

          The first track on Modern Burials, "First Taste", does indeed give us a sense of the band's stylistic tendencies.  Beginning with a steady, yet dynamic drum cadence accompanied by jazz piano and gradually giving way to a lush field of sound, the track showcases the heavy progressive jazz and neo-pop influence.  A noticeable, smooth bass groove infects the song and keeps it grounded while a jazz-influenced guitar plays an array of dubs ranging from staccato, palm-muted notes to wah-infected chords.  It's on this track in particular that Su showcases her vocal range with soaring falsettos and deeper runs.  As the keys join the mix, the song settles into a comfortable, yet inventive jam.  Ending with a strong vocal run from Su, "First Taste" merely foreshadows what is to come later in the EP.

          Another song of special remark is "Inwood (Homesick Pt. 2)".  Beginning mysteriously with a lone bass riff that vibrates deep within the psyche.  The drums kick in softly as an electric guitar begins to play an odd (in a good way) melody and makes use of pedal effects to further the mystery of the song.  Su's voice, once again, flies across the vocal spectrum, from pure, crisp highs to confident lower notes.  After a brief period of being locked into rhythm, the song breaks and becomes more esoteric as vocals drift loosely in the background.  Cymbals and toms begin to build up and then quickly fade away repeatedly before a classical piano takes over and the track returns from the 'ether' that it had previously explored.  Transitioning into a funk-influenced and synth-pop influenced passage, the song takes us further into the minds of the varied band members before ending on a succinct, definitive drum beat.  As one of the most sonically diverse songs on the EP, "Inwood (Homesick Pt. 2)" stands out and distinguishes itself further amongst a collection of excellent tracks.

          Levingstone contributes a new take on modern jazz and neo-soul, with a variety of fusion styles that are evident on their excellent debut EP, Modern Burials.  Their unique contribution to the face of the global music ecosystem of today is wholly constructive and truly quite engaging.  I look forward to seeing where this band will go and hope to see them follow in the success of other modern Australian bands and enjoy the global attention of their contemporaries.  To listen to their music, head over to BandCamp or SoundCloud.  Additionally, be sure to head over to their website and Facebook page.

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