Originally posted on May 15, 2014:
Ahh, the late 60's and early 70's, what a time (even though I wasn't even
born). It was a time of change, socially, politically, and, of course,
musically. Some of the greatest and most creative music came out of this
era including Bob Dylan, The Doors, The Beatles, Jefferson Airplane, The Who,
Creedence Clearwater Revival, and oh so many more incredible bands. Alas,
these bands have come and gone, but their legacy and influence is still
relevant, as is clear with Boswell.
Boswell is a 5-piece classic rock band that hails from Austin, Texas and is
made up of members Melanie Heide (Vocals/Percussion), Justin Vennay
(Vocals/Bass), Cameron Coy (Guitar), Jeffrey Ferrer (Guitar) and Alex Wilhelm
(Drums/Percussion/Keys). They initially started as a cover band (claiming
to be able to play over 4 hours worth of songs), playing music from the 50's on
through to the 70's, but have since channeled their creative drive into their
debut EP, Beryllium. They certainly wear their influences on their
sleeve, as is evident with their new EP, whether it be the bluesy guitar riffs
of Led Zeppelin or the sunshine pop of Jefferson Airplane. Their debut EP
is incredibly strong, so let's jump right in.
The cover of Boswell's EP "Beryllium" |
The second track on the EP, No, Miser!, is particularly reminiscent of
California sunshine pop from the late 60's. It reminds me of the many
recent Mad Men scenes that take place in California and would fit very well on
the show while Don Draper has yet another affair. The band says the song
follows the story of a loner miser who eventually gives up on materialism.
The track begins with an upbeat guitar hook, backed by matching drums.
It also utilizes the unique qualities of both vocalists. Melanie Heide's
voice takes on a breathier quality, while bassist Justin Vennay takes an
approach that makes him sound somewhat like Marty Balin (Jefferson Airplane).
Their harmonies seem effortless, as their voices blend together well.
Another noteworthy aspect of this track is the guitar work, ranging from
relatively simple, strummed chords and picked notes to more complicated guitar
solos.
My personal favorite song of theirs is Statue of Venus. They turn the
gain up on the rhythm guitar for this one, as the track begins with powerful
bluesy chords and an active drumbeat. This hard-hitting chord progression
spans the song, while the lead guitar plays sustained notes and complicated
solos. Vennay takes lead vocals on the track while Heide harmonizes in
the background during the chorus. This song is implicative of an early
Led Zeppelin tune.
Overall, Boswell is a group of extremely talented musicians who know how to
rock. Their brand of classic rock with a modern twist is exactly what the
industry needs right now, and I see great potential in the band's music to fill
this role. They are the true modern embodiment of all the great classics,
in my opinion. You can check out their awesome debut EP, Beryllium, on
their Bandcamp page (http://boswellatx.bandcamp.com) and you can find out more about them (and even hire them for
your event) at their website (http://www.boswellatx.com). Good luck to you guys and I look forward to your next
release.
Thank you for visiting my blog and
reading this review. Please feel free to comment on this article about
whatever you feel like (suggestions, what you think of the band, etc...).
If you would like to contact me for any reason, check out the 'Contact' tab above. Have a nice day and rock on!
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