Sex Toys

          It's not often that one comes across instrumental psychedelic pop infused with heavier progressive themes that can truly captivate an audience.  The brain child of Thomas Swing, Sex Toys does just that, showing to the world that abstract fusion genres that have fallen by the wayside are not dead, but rather teeming with life given by those with a desire to blend the past and the present.  The first and only piece of work put out by Sex Toys (every instrument is recorded by Swing, however the live band is comprised of members Ashley Viers, Jarrett Ross, and Thomas Swing), The Xhoenis exemplifies musicianship and the careful composition that is necessary to make each instrument serve a worthwhile purpose.

          The opening track on the EP, "Dark High", leads in with a distorted slide guitar lick, followed by succinct drums that set the pace.  The experimental nature of Swing's music becomes immediately apparent as the slightly fuzzed wah riffs that harken back to the 60's and 70's wash over a distinctly techno-influenced beat.  The bass comes along as a solo instrument, thus adding complexity to the track and ensuring that "...every instrument plays a critical role...".  As the guitar fades out, the organ and synths come to the foreground, further emphasizing the nostalgic, yet distinctly modern tone of Swing's compositions.  At only 1:31, the track makes a musical statement without berating the listener or overplaying itself.

          Another exemplary track on the EP can be found in "Brexit Beast", an obvious response to the British exit from the EU.  Beginning with a soundbite of President-Elect Donald Trump talking about his proposal for immigration regarding Muslims (2015), the track immediately sets itself up as more than an instrumental foray into post-modern styles, but also as a political statement.  Heavier, less tight drums beat audibly while a wah-driven guitar solos in a way that evokes a feeling of the early psychedelic/blues-styled rock giants (Hendrix, Clapton, etc...).  This classic flow is interrupted by dark, mechanical synths as the only lyrics on the project slowly ooze out.  As the song progresses, all instruments fade away, save for the synths, perhaps a commentary on what Swing perceives to be the world of politics.   Guitars ultimately emerge once again, but this time in a metal-influenced style, more focused and driven.  Fading out on Trump's aforementioned quote, the listener is left to interpret the instrumentals as they relate to politics and society at large.

          I feel that many instrumental musicians are often overlooked because they trade the catchiness of a chorus and sometimes obvious lyrics, in favor of a subtle approach towards conveying a message.  Sex Toys has really struck a chord with The Xhoenis, as their Syd Barrett and Beatles influenced experimentally shines through in a musical landscape dominated by more popular and well-defined genres.  I'm excited to see where Swing and his young group goes with their music and how their message evolves.  To listen to them, check out their BandCamp and be sure keep an eye out for future releases.

Thank you for visiting my blog and reading this review.  Please feel free to comment on this article about whatever you feel like (suggestions, what you think of the band, etc...).  If you would like to contact me for any reason, check out the 'Contact' tab above.  Have a nice day and rock on!